Lisa
04-30-2005, 06:39 PM
NPR interviewed Stanford mathematician Keith Devlin and CalTech (& Numb3rs' very own) Gary Lorden for Talk of the Nation yesterday. Found a transcript of it and thought I would share (since I technically paid for this transcript with my school fees). I'm separating it into two parts because it's long, so wait for the second post.
You can listen to the program here:
http://www.npr.org/templates/story/story.php?storyId=4624842
---------
Copyright 2005 National Public Radio (R)
All Rights Reserved
National Public Radio (NPR)
SHOW: Talk of the Nation/Science Friday 3:00 AM EST NPR
IRA FLATOW, host:
This is TALK OF THE NATION/SCIENCE FRIDAY. I'm Ira Flatow.
Well, when was the last time you curled up with a good book--I mean a good math book? All right, maybe that's too much to expect, you know. Maybe a math book--curling up with it is too much. But what if--if you've been watching prime-time TV, curling up with--in bed, you may have been unwittingly immersed in math made palatable. Names like Euler, Leibniz, Fibonacci, Riemann have figured prominently in some of the hottest TV series. They have had starring roles on the television drama "Numb3rs," which--listen to this: "Numb3rs" just beat out "Law & Order: Trial by Jury" as the top show on Friday nights on television--a math program. And if you've been paying careful attention, you may have seen math sneakily featured in the adventures of "The Simpsons." And not so sneaky: movies like "Good Will Hunting" and "A Beautiful Mind" have made math actually something to talk about apres film over a double latte.
Pop culture is making mathematicians look better, but is it helping math teachers motivate their students? April is Mathematics Awareness Month, but you knew that, right? So it might be a good time to take a closer look at the numbers. And if you'd like to talk about mathematics in your life, give us a call. Our number is 1 (800) 989-8255; 1 (800) 989-TALK. We can't balance your checkbook, but we will be able to talk about all kinds of other kinds of math.
Let me introduce my guests. Keith Devlin is the author of the new book "The Math Instinct: Why You're a Mathematical Genius." He's also the executive director of the Center for the Study of Language and Information. He's a consulting professor of mathematics at Stanford and he--you might know him as that Math Guy on "Weekend Edition" on NPR. He's in the studios on campus there.
Thanks for being with us, Dr. Devlin.
Dr. KEITH DEVLIN (Author, "The Math Instinct"): Good afternoon, Ira. Thanks for having me back again.
FLATOW: You're welcome.
Robert Osserman is professor emeritus at Stanford. He's also special projects director at the Mathematical Sciences Research Institute. He joins us from a studio at the campus of the University of California at Berkeley.
Welcome back to SCIENCE FRIDAY.
Professor ROBERT OSSERMAN (Special Projects Director, Mathematical Sciences Research Institute): Thank you, Ira. It's a pleasure to be here. Hi, Keith.
Dr. DEVLIN: Hi there, Bob.
FLATOW: There you go. We'll save you money on a phone call.
Sarah Greenwald is associate professor in the department of mathematics at Appalachian State University. She joins us from the campus in Boone, North Carolina.
Thank you for being with us, Dr. Greenwald.
Dr. SARAH GREENWALD (Appalachian State University): Thanks. I'm very pleased to be here. And hello to everyone.
FLATOW: Well, hi. Keith...
Dr. DEVLIN: Hi there.
Prof. OSSERMAN: Hello, Sarah.
FLATOW: Keith, is math turning up in more places, or are we just, you know, making that up?
Dr. DEVLIN: No, it certainly is turning up, and it's turning up in a lot of places. I mean, I'd like to think that efforts by Bob and myself and people like us have partly contributed to this. I think the biggest impetus was 1994 when Andrew Wiles solved Fermat's last theorem and just thrust mathematics into the front pages of the newspapers and really made it a hip subject.
FLATOW: Oh, "Good Will Hunting" could have done a--you know, that was pretty good, and so was "Proof" and "Pi" and that play...
Dr. DEVLIN: You bet. Yeah, it's just part of--it's become part of the culture in a much bigger way than it ever was before.
FLATOW: Bob, do you agree with that?
Prof. OSSERMAN: Oh, absolutely. It's interesting that--I've looked back in the past and there have been isolated movies, plays and things, books, that refer to math, but there's been an explosion in the last 10 years which is quite remarkable.
FLATOW: And, Dr. Greenwald, you've written a really interesting paper--at least one; I'm sure there are more of them--on something called Engaging Students with Significant Mathematical Content from "The Simpsons." Now a lot of people watch "The Simpsons," but you talk about at least one program in "The Simpsons" where Bart excels in school and they send him to, you know, a high-priced, high--influential math class.
Dr. GREENWALD: Yes, that's correct. And I should say that there are a lot of writers with significant mathematics in their backgrounds working for "The Simpsons," and so they naturally sneak some math into the backgrounds of the show.
FLATOW: Do they do it on purpose?
Dr. GREENWALD: Yes. I got a chance to talk to David Cohen when I was out in California recently, and I'm working on an interview that will be on my Web site eventually. And he said that on the show "Futurama," where he was the head writer, he could set the tone, and since he was interested in math it was pretty easy for him to wedge some references there. And, you know, "The Simpsons" has so many different references related to many different fields, so if you're interested in law or you're interested in something else, you can find something related to your field. And mathematics is just one of the things that you can be looking for in these different episodes.
FLATOW: What about female mathematicians, though? Do we see them cropping up anywhere in popular culture?
Dr. GREENWALD: Well, on some shows like--that Joss Whedon had done--"Buffy the Vampire Slayer" and "Angel"--the people that seemed to be good in science and math were actually the women in those shows, so a little bit in those shows. And "The Simpsons" poked fun at gender issues and mathematics...
FLATOW: Yeah.
Dr. GREENWALD: ...on a recent episode. There was a joke about--that men were no longer allowed to take mathematics in the future at Yale, and Lisa was debating between taking `semistry' and `galgebra.'
FLATOW: Bob...
Prof. OSSERMAN: Can I pop in there and...
FLATOW: Please, Bob. Go right ahead.
Prof. OSSERMAN: What's interesting is many of the movies and plays feature women mathematicians over the recent years. And, in particular, what I think is the first big success in this line was Tom Stoppard's "Arcadia," back in 1993. And it's a wonderful play that's been produced all over the place, and the chief character, named Thomasina, starts out as a 13-year-old math prodigy, an absolutely delightful, mischievous young woman. And I think that partly set, you know, a precedent. But at any rate, there have been quite a few places where women had leading roles.
I mention one other, which is an interesting one. The best foreign picture, the Academy Award '95, was a Dutch film called "Antonia's Line," and that featured a series of women, one of whom was, in fact, a brilliant mathematical talent. So there are many examples in popular culture, too.
FLATOW: You know, but scientists, ever since before, maybe--after "The Nutty Professor" have been portrayed as a nutty professor. Are mathematicians doing any better at avoiding that stereotype?
Prof. OSSERMAN: (Laughs) Only partly. Unfortunately, that's still there. But, as I say, one of the things that's wonderful about "Arcadia" is that is not at all the model. This is somebody who is not nutty and who is just the opposite. So we've had some of both, I would say.
FLATOW: Keith Devlin, are you the nutty professor?
Dr. DEVLIN: (Laughs) I don't think so, Ira. And, you know, one of the things--you mentioned the TV series "Numb3rs" in your introduction, and one of the things I think that's good about that is it--the lead character, played by David Krumholtz--OK, he's a little bit better-looking than most of us, but I can see in him a composite of five or six mathematicians that I know very well. He's actually got it down pretty well in terms of a fairly young, dynamic mathematician. That's--he's closer to the real image of mathematics than the nutty professor, I have to say.
FLATOW: Well, Sarah Greenwald, do they act--do people in Hollywood actually listen? Do they pay attention when--the writers, you know, about what real mathematicians are like, or do they have this stereotype in their minds?
Dr. GREENWALD: Well, some of them are real mathematicians, actually, so...
FLATOW: Yeah.
Dr. GREENWALD: Ken Keeler wrote for "The Simpsons" and "Futurama," and he has a PhD in applied math, and a number of other people who have masters and bachelors in math or related fields and PhDs in related fields--so...
FLATOW: Well, obviously...
Dr. GREENWALD: ...they actually have firsthand experience.
FLATOW: ...they've gone to where they can make some money.
Dr. GREENWALD: (Laughs) That's right. So, you know, if you have a degree in mathematics, you have a lot of different options, and one of your options is comedy writing and, you know, there are all sorts of different options, so...
FLATOW: So they didn't have to talk people into doing these mathematical things, is what you're saying.
Dr. GREENWALD: Not in "The Simpsons"...
FLATOW: Yeah.
Dr. GREENWALD: ...and "Futurama." It's, you know, one aspect of their interest and they put those in different "Futurama" episodes. And...
Dr. DEVLIN: You know, Ira, we shouldn't really be too--I mean, I think people are probably very surprised when they hear of someone being a mathematician becoming a comedy writer, but professional mathematics--really, it's a playful occupation. We earn our living by playing. We play in a sandbox when we do mathematics. I mean, it's really not that far away from the kind of playfulness you see in something like "The Simpsons."
FLATOW: Mm-hmm. Let me go--let me talk about the title of your book, "The Math Instinct: Why You're a Mathematical Genius."
Dr. DEVLIN: Uh-huh.
FLATOW: Why are--and you--but you put lobsters, birds, cats and dogs in there. What is this...
Dr. DEVLIN: Right.
FLATOW: What are you talking about there?
Dr. DEVLIN: Right. You know, we have this image of what it is to do mathematics, and that involves sitting with a paper and pencil and scribbling. And that's certainly one way of doing mathematics, an incredibly important way; it's led to all of today's science and technology. But if you step back and say, `What is mathematics as a process?,' not only is it not unique to people who use paper and pencil, it's not even unique to human beings. There's all kinds of creatures who, as a result of evolution by natural selection, have developed particular capacities--different creatures--that are their survival strategies, that when we interpret in human terms what they do to survive, the only interpretation we can put on it is that they are doing natural mathematics.
FLATOW: But, of course, they don't know that. They don't call it that.
Dr. DEVLIN: Oh, no.
FLATOW: Yeah.
Dr. DEVLIN: They just find--I mean, when a bird migrates...
FLATOW: Yeah.
Dr. DEVLIN: ...it's just following its instinct. But our interpretation of migration is doing trigonometry. That's the human description of finding your way around by measuring angles and distances, which is exactly what they're doing--their own instinctive behaviors.
FLATOW: Mm-hmm. Is there one animal that does it more than the others?
Dr. DEVLIN: Oh, yeah. My favorite one is the Tunisian desert ant, Cataglyphis fortis. This is an amazing little critter. It lives in the Tunisian desert, the sand deserts. It lives underground in a nest. This little creature will come out of its nest and wander off across the featureless sand, looking for food. It will wander maybe 300 meters back and forth, zigzagging around. It'll end up maybe a hundred meters from the nest. The moment it finds its food, it turns to face where the nest is, goes back exactly the distance and pops down the nest. If--scientists have followed it. If you move it when it finds the food, it will head off in exactly the direction it should have done if it hadn't been moved, for exactly the distance it should have gone, and then it will look around wondering where home is. This creature, despite all of this zigzagging up to a hundred meters away, knows at every instant where home is, what direction and how far it is.
We humans can do that. There's a technique known as dead reckoning. It's heavy-duty trigonometry. We can do it. The ancient mariners used to use it. The NASA astronauts going to the moon used it as a backup system. Apollo 13 used it to get back after the initial crash, the initial accident on the way to the moon. It's mathematics to us. The desert ant is doing its instinct, but when we interpret it, the only explanation is it's doing dead reckoning, and that's heavy-duty mathematics.
FLATOW: Yeah. Well, it sounds to me like finding your car in a parking lot, you know?
Dr. DEVLIN: You know, it's--there is, you know...
FLATOW: You know? It's an unconscious thing. Some people are good at it, some people are not.
Dr. DEVLIN: Right.
FLATOW: And, you know, I just say to myself, `Just walk, you'll get there.' And it works, you know?
Dr. DEVLIN: Yeah. Yeah. And, you know, I...
Prof. OSSERMAN: Most of the time.
Dr. DEVLIN: Right. Yeah. Of course, guys in particular--the main gender difference here is that guys won't admit when they can't do this kind of thing. You know, I've given this example of the desert ant to many people over the last couple of years, three or four years, in fact, and the standard objection is: Well, you shouldn't really call it mathematics. And my response to that is, `Look, we have calculators and computers that we classify as doing mathematics when they are simply routing electricity around.'
FLATOW: Yeah. All right. We're going to take a break and come back and talk lots more about math with Keith Devlin, Robert Osserman and Sarah Greenwald, and your questions. So stay with us. We'll be right back.
I'm Ira Flatow. This is TALK OF THE NATION/SCIENCE FRIDAY from NPR News.
(Soundbite of music)
FLATOW: You're listening to TALK OF THE NATION/SCIENCE FRIDAY. I'm Ira Flatow.
You can listen to the program here:
http://www.npr.org/templates/story/story.php?storyId=4624842
---------
Copyright 2005 National Public Radio (R)
All Rights Reserved
National Public Radio (NPR)
SHOW: Talk of the Nation/Science Friday 3:00 AM EST NPR
IRA FLATOW, host:
This is TALK OF THE NATION/SCIENCE FRIDAY. I'm Ira Flatow.
Well, when was the last time you curled up with a good book--I mean a good math book? All right, maybe that's too much to expect, you know. Maybe a math book--curling up with it is too much. But what if--if you've been watching prime-time TV, curling up with--in bed, you may have been unwittingly immersed in math made palatable. Names like Euler, Leibniz, Fibonacci, Riemann have figured prominently in some of the hottest TV series. They have had starring roles on the television drama "Numb3rs," which--listen to this: "Numb3rs" just beat out "Law & Order: Trial by Jury" as the top show on Friday nights on television--a math program. And if you've been paying careful attention, you may have seen math sneakily featured in the adventures of "The Simpsons." And not so sneaky: movies like "Good Will Hunting" and "A Beautiful Mind" have made math actually something to talk about apres film over a double latte.
Pop culture is making mathematicians look better, but is it helping math teachers motivate their students? April is Mathematics Awareness Month, but you knew that, right? So it might be a good time to take a closer look at the numbers. And if you'd like to talk about mathematics in your life, give us a call. Our number is 1 (800) 989-8255; 1 (800) 989-TALK. We can't balance your checkbook, but we will be able to talk about all kinds of other kinds of math.
Let me introduce my guests. Keith Devlin is the author of the new book "The Math Instinct: Why You're a Mathematical Genius." He's also the executive director of the Center for the Study of Language and Information. He's a consulting professor of mathematics at Stanford and he--you might know him as that Math Guy on "Weekend Edition" on NPR. He's in the studios on campus there.
Thanks for being with us, Dr. Devlin.
Dr. KEITH DEVLIN (Author, "The Math Instinct"): Good afternoon, Ira. Thanks for having me back again.
FLATOW: You're welcome.
Robert Osserman is professor emeritus at Stanford. He's also special projects director at the Mathematical Sciences Research Institute. He joins us from a studio at the campus of the University of California at Berkeley.
Welcome back to SCIENCE FRIDAY.
Professor ROBERT OSSERMAN (Special Projects Director, Mathematical Sciences Research Institute): Thank you, Ira. It's a pleasure to be here. Hi, Keith.
Dr. DEVLIN: Hi there, Bob.
FLATOW: There you go. We'll save you money on a phone call.
Sarah Greenwald is associate professor in the department of mathematics at Appalachian State University. She joins us from the campus in Boone, North Carolina.
Thank you for being with us, Dr. Greenwald.
Dr. SARAH GREENWALD (Appalachian State University): Thanks. I'm very pleased to be here. And hello to everyone.
FLATOW: Well, hi. Keith...
Dr. DEVLIN: Hi there.
Prof. OSSERMAN: Hello, Sarah.
FLATOW: Keith, is math turning up in more places, or are we just, you know, making that up?
Dr. DEVLIN: No, it certainly is turning up, and it's turning up in a lot of places. I mean, I'd like to think that efforts by Bob and myself and people like us have partly contributed to this. I think the biggest impetus was 1994 when Andrew Wiles solved Fermat's last theorem and just thrust mathematics into the front pages of the newspapers and really made it a hip subject.
FLATOW: Oh, "Good Will Hunting" could have done a--you know, that was pretty good, and so was "Proof" and "Pi" and that play...
Dr. DEVLIN: You bet. Yeah, it's just part of--it's become part of the culture in a much bigger way than it ever was before.
FLATOW: Bob, do you agree with that?
Prof. OSSERMAN: Oh, absolutely. It's interesting that--I've looked back in the past and there have been isolated movies, plays and things, books, that refer to math, but there's been an explosion in the last 10 years which is quite remarkable.
FLATOW: And, Dr. Greenwald, you've written a really interesting paper--at least one; I'm sure there are more of them--on something called Engaging Students with Significant Mathematical Content from "The Simpsons." Now a lot of people watch "The Simpsons," but you talk about at least one program in "The Simpsons" where Bart excels in school and they send him to, you know, a high-priced, high--influential math class.
Dr. GREENWALD: Yes, that's correct. And I should say that there are a lot of writers with significant mathematics in their backgrounds working for "The Simpsons," and so they naturally sneak some math into the backgrounds of the show.
FLATOW: Do they do it on purpose?
Dr. GREENWALD: Yes. I got a chance to talk to David Cohen when I was out in California recently, and I'm working on an interview that will be on my Web site eventually. And he said that on the show "Futurama," where he was the head writer, he could set the tone, and since he was interested in math it was pretty easy for him to wedge some references there. And, you know, "The Simpsons" has so many different references related to many different fields, so if you're interested in law or you're interested in something else, you can find something related to your field. And mathematics is just one of the things that you can be looking for in these different episodes.
FLATOW: What about female mathematicians, though? Do we see them cropping up anywhere in popular culture?
Dr. GREENWALD: Well, on some shows like--that Joss Whedon had done--"Buffy the Vampire Slayer" and "Angel"--the people that seemed to be good in science and math were actually the women in those shows, so a little bit in those shows. And "The Simpsons" poked fun at gender issues and mathematics...
FLATOW: Yeah.
Dr. GREENWALD: ...on a recent episode. There was a joke about--that men were no longer allowed to take mathematics in the future at Yale, and Lisa was debating between taking `semistry' and `galgebra.'
FLATOW: Bob...
Prof. OSSERMAN: Can I pop in there and...
FLATOW: Please, Bob. Go right ahead.
Prof. OSSERMAN: What's interesting is many of the movies and plays feature women mathematicians over the recent years. And, in particular, what I think is the first big success in this line was Tom Stoppard's "Arcadia," back in 1993. And it's a wonderful play that's been produced all over the place, and the chief character, named Thomasina, starts out as a 13-year-old math prodigy, an absolutely delightful, mischievous young woman. And I think that partly set, you know, a precedent. But at any rate, there have been quite a few places where women had leading roles.
I mention one other, which is an interesting one. The best foreign picture, the Academy Award '95, was a Dutch film called "Antonia's Line," and that featured a series of women, one of whom was, in fact, a brilliant mathematical talent. So there are many examples in popular culture, too.
FLATOW: You know, but scientists, ever since before, maybe--after "The Nutty Professor" have been portrayed as a nutty professor. Are mathematicians doing any better at avoiding that stereotype?
Prof. OSSERMAN: (Laughs) Only partly. Unfortunately, that's still there. But, as I say, one of the things that's wonderful about "Arcadia" is that is not at all the model. This is somebody who is not nutty and who is just the opposite. So we've had some of both, I would say.
FLATOW: Keith Devlin, are you the nutty professor?
Dr. DEVLIN: (Laughs) I don't think so, Ira. And, you know, one of the things--you mentioned the TV series "Numb3rs" in your introduction, and one of the things I think that's good about that is it--the lead character, played by David Krumholtz--OK, he's a little bit better-looking than most of us, but I can see in him a composite of five or six mathematicians that I know very well. He's actually got it down pretty well in terms of a fairly young, dynamic mathematician. That's--he's closer to the real image of mathematics than the nutty professor, I have to say.
FLATOW: Well, Sarah Greenwald, do they act--do people in Hollywood actually listen? Do they pay attention when--the writers, you know, about what real mathematicians are like, or do they have this stereotype in their minds?
Dr. GREENWALD: Well, some of them are real mathematicians, actually, so...
FLATOW: Yeah.
Dr. GREENWALD: Ken Keeler wrote for "The Simpsons" and "Futurama," and he has a PhD in applied math, and a number of other people who have masters and bachelors in math or related fields and PhDs in related fields--so...
FLATOW: Well, obviously...
Dr. GREENWALD: ...they actually have firsthand experience.
FLATOW: ...they've gone to where they can make some money.
Dr. GREENWALD: (Laughs) That's right. So, you know, if you have a degree in mathematics, you have a lot of different options, and one of your options is comedy writing and, you know, there are all sorts of different options, so...
FLATOW: So they didn't have to talk people into doing these mathematical things, is what you're saying.
Dr. GREENWALD: Not in "The Simpsons"...
FLATOW: Yeah.
Dr. GREENWALD: ...and "Futurama." It's, you know, one aspect of their interest and they put those in different "Futurama" episodes. And...
Dr. DEVLIN: You know, Ira, we shouldn't really be too--I mean, I think people are probably very surprised when they hear of someone being a mathematician becoming a comedy writer, but professional mathematics--really, it's a playful occupation. We earn our living by playing. We play in a sandbox when we do mathematics. I mean, it's really not that far away from the kind of playfulness you see in something like "The Simpsons."
FLATOW: Mm-hmm. Let me go--let me talk about the title of your book, "The Math Instinct: Why You're a Mathematical Genius."
Dr. DEVLIN: Uh-huh.
FLATOW: Why are--and you--but you put lobsters, birds, cats and dogs in there. What is this...
Dr. DEVLIN: Right.
FLATOW: What are you talking about there?
Dr. DEVLIN: Right. You know, we have this image of what it is to do mathematics, and that involves sitting with a paper and pencil and scribbling. And that's certainly one way of doing mathematics, an incredibly important way; it's led to all of today's science and technology. But if you step back and say, `What is mathematics as a process?,' not only is it not unique to people who use paper and pencil, it's not even unique to human beings. There's all kinds of creatures who, as a result of evolution by natural selection, have developed particular capacities--different creatures--that are their survival strategies, that when we interpret in human terms what they do to survive, the only interpretation we can put on it is that they are doing natural mathematics.
FLATOW: But, of course, they don't know that. They don't call it that.
Dr. DEVLIN: Oh, no.
FLATOW: Yeah.
Dr. DEVLIN: They just find--I mean, when a bird migrates...
FLATOW: Yeah.
Dr. DEVLIN: ...it's just following its instinct. But our interpretation of migration is doing trigonometry. That's the human description of finding your way around by measuring angles and distances, which is exactly what they're doing--their own instinctive behaviors.
FLATOW: Mm-hmm. Is there one animal that does it more than the others?
Dr. DEVLIN: Oh, yeah. My favorite one is the Tunisian desert ant, Cataglyphis fortis. This is an amazing little critter. It lives in the Tunisian desert, the sand deserts. It lives underground in a nest. This little creature will come out of its nest and wander off across the featureless sand, looking for food. It will wander maybe 300 meters back and forth, zigzagging around. It'll end up maybe a hundred meters from the nest. The moment it finds its food, it turns to face where the nest is, goes back exactly the distance and pops down the nest. If--scientists have followed it. If you move it when it finds the food, it will head off in exactly the direction it should have done if it hadn't been moved, for exactly the distance it should have gone, and then it will look around wondering where home is. This creature, despite all of this zigzagging up to a hundred meters away, knows at every instant where home is, what direction and how far it is.
We humans can do that. There's a technique known as dead reckoning. It's heavy-duty trigonometry. We can do it. The ancient mariners used to use it. The NASA astronauts going to the moon used it as a backup system. Apollo 13 used it to get back after the initial crash, the initial accident on the way to the moon. It's mathematics to us. The desert ant is doing its instinct, but when we interpret it, the only explanation is it's doing dead reckoning, and that's heavy-duty mathematics.
FLATOW: Yeah. Well, it sounds to me like finding your car in a parking lot, you know?
Dr. DEVLIN: You know, it's--there is, you know...
FLATOW: You know? It's an unconscious thing. Some people are good at it, some people are not.
Dr. DEVLIN: Right.
FLATOW: And, you know, I just say to myself, `Just walk, you'll get there.' And it works, you know?
Dr. DEVLIN: Yeah. Yeah. And, you know, I...
Prof. OSSERMAN: Most of the time.
Dr. DEVLIN: Right. Yeah. Of course, guys in particular--the main gender difference here is that guys won't admit when they can't do this kind of thing. You know, I've given this example of the desert ant to many people over the last couple of years, three or four years, in fact, and the standard objection is: Well, you shouldn't really call it mathematics. And my response to that is, `Look, we have calculators and computers that we classify as doing mathematics when they are simply routing electricity around.'
FLATOW: Yeah. All right. We're going to take a break and come back and talk lots more about math with Keith Devlin, Robert Osserman and Sarah Greenwald, and your questions. So stay with us. We'll be right back.
I'm Ira Flatow. This is TALK OF THE NATION/SCIENCE FRIDAY from NPR News.
(Soundbite of music)
FLATOW: You're listening to TALK OF THE NATION/SCIENCE FRIDAY. I'm Ira Flatow.